2019    "Every Future Has a Price: 30 Years after Infotainment" hardcover exhibition catalog; published by Elizabeth Dee,
                  with text by Alan Belcher and Bob Nickas, ISBN 9781642559200
            “303 Gallery: 35 Years” hardcover, edited by Kurt Brondo, published by 303inprint, New York
            "Alan Belcher accompagne les derniers jours de Vie d’Ange" by Marie-Ève Charron; Le Devoir, August 3rd
            "Alan Belcher at Vie D’Ange, Montreal" by Sarah Nesbitt; Akimbo, July 24th
   

2018    "Brand New —Art & Commodity in the 1980s", exhibition catalog published by Rizzoli Electa for the Hirshhorn Museum
                  and Sculpture Garden; featuring essays by Gianni Jetzer, Leah Pires, and Bob Nickas
            "FRONT International: Cleveland Triennial for Contemporary Art —An American City" Volumes One and Two,
                  exhibition catalogs edited by Michelle Grabner; ISBN: 9781935294658 & 9781935294665
            Artforum online review of GIANT at LMAKgallery, by Jeff Gibson; May 18th
            Timeout, "The top five New York art shows this week"; by Howard Halle, May 20th
            New York Times, "A New Home Ready-Made for Art", review by Joseph Giovannini of the 'Readymades Belong To Everyone'    
                   exhibition at the Swiss Institute; June 28, 2018
            "Catalogue Perpétuel", published by Le Consortium (Dijon) on occasion of the L'Almanach 18 Biennial
            "Cleveland’s First Front International Triennial Explores American Metropolises—Without a Local Perspective" review by
                   Alex Greenberger; ArtNews, August

            re:porter, "Canuck Conceptual"; Porter Airlines inflight magazine, pg 13

2017    "Alan Belcher at greengrassi" exhibition images at Contemporary Art Daily, December 21st
            "Alan Belcher at greengrassi" exhibition images at Art Viewer, December 24th
            Frog Magazine, interview by Éric Troncy; Numéro 17, Fall/Winter 2017
            "Alan Belcher at Le Consortium" exhibition images at Contemporary Art Daily, August 26th
            Numéro, "Métamorphoses de L'image" by Éric Troncy; February Issue #180, pgs 222–225
            "Again and Again / MKG127: The first Ten Years" commemorative boxed publication, published by MKG127, Toronto
            "Equator Production" catalog, published by Petra Singh, New York City
            “Every Future Has a Price: 25 Years of Infotainment” by Grant Wahlquist; Frog Magazine
, Numéro 17, Fall/Winter 2017


2016    "Wall To Wall: Carpets By Artists", exhibition catalog published by Verlag der Buchhandlung Walther König (Köln)
                   featuring essays by Germano Celant, Ken Lum, and Cornelia Lauf
            New York Times, "Every Future Has a Price —30 Years After Infotainment" exhibition review by Martha Schwendener;
                   Friday, December 2
            Frieze, "Every Future Has A Price" exhibition review by Andrew Hultkrans, December 22nd
            Art Agenda, "Every Future has a Price: 30 Years after Infotainment” exhibition review by Wendy Vogel, December 13th
            TimeOut NewYork, “Every Future Has a Price: 30 Years After Infotainment” exhibition review by Joseph R. Wolin, November 1st
            Toronto Star, "At The Galleries" exhibition review by Murray Whyte; Thursday, December 1
            "Art after the Age of Mechanical Reproduction" by Cornelia Lauf; PDF #3 (Publication Document File, Issue #3, September;                    published by David Tomas, Université de Montréal, pgs 59-71)           
             ‘Vie D’ange’ Inaugural Group Show; online review at ofluxo.net           
             "Macho minimalism reborn with wit at Suburban", exhibition review by Shane McAdams; Milwaukee Journal Sentinel             
             Frog Magazine, Numéro 16, Fall /Winter 2016

2015    “No Problem: Cologne/New York 1984-1989”, exhibition catalog published by David Zwirner Gallery, New York;
                   featuring essay by Robert Nickas
            "10.5", Herringbone online magazine, Issue #4

2014    "Alan Belcher’s Art Asks Questions America Can’t Answer", by Peyton Freiman; The Wild, October 30
                   (review of exhibition at Marlborough Gallery)
            "10.5", images and texts by Alan Belcher; published by XXX/88 Books (Ho Tam), Vancouver
            "Peter Nagy: Entertainment Erases History – Works 1982 to 2004 to the Present" by Richard Milazzo,
                   published by EISBox Editions

2013    "My Highlights at NADA Miami Beach, 2013", by Michelle Grabner; Artsy.net, December

2012    “25 Years Of Talent”, exhibition catalog published by Marianne Boesky Gallery, New York City;
                   featuring essays by Michelle Grabner, Tim Griffin, Randi Hopkins, and David Robbins

2011     “Bob Nickas, Catalogue Of The Exhibition: 1984–2011”, published by 2nd Cannons Publications, Los Angeles  
             Nero Magazine (Italy), “80s New York: Rearview Mirror”, by Cornelia Lauf and Daniela Salvioni; No. 25, Winter 2011, pg. 74.

2010    "Show and Tell: A Chronicle of Group Material", edited by Julie Ault; published by Four Corners Books, ISBN 9780956192813

2009    The Vancouver Sun, “New Dimensions in Photography”, by Kevin Griffin; May 23, pg. D3

2008    "Jederman Collection", exhibition catalog published by Fotomuseum Winterthur, Zurich, Switzerland

2004    Artforum, “Infotainment”, by Thomas Lawson; October, pg. 93

2003    Artforum, “Time Capsules, 1980-1985”, by David Rimanelli; March 40th Anniversary Issue
            Artforum, “Ross Bleckner Talks To Dan Cameron”; March 40th Anniversary Issue

2000    Poliester, “Alan Belcher”, by Lisa Gabrielle Mark; Summer Issue, Vol. 8, #27, pgs 18–231999    
            “Billboards: Art on the Road”, published by Massachusetts Museum of Contemporary Art (MASS MoCA)
            Artforum, by Lisa Gabrielle Mark; Summer Issue (review of exhibition at The Japan Foundation)           
            Frieze, by Ingrid Chu; May Issue (review of exhibition at The Japan Foundation)           
            Lola, by Andy Fabo; Issue #4 (review of exhibition at The Japan Foundation)           
            “C” Magazine, by Lisa Gabrielle Mark; Summer Issue (review of exhibition at The Japan Foundation)
            Artforum, “The Wild East: The Rise and Fall of the East Village"; articles by David Robbins, Peter Nagy, and others;
                   October Issue
            The EYE, “Canada Council tells successful artist to go back to New York”; by Bruce LaBruce, January 21st

1998    The Montreal Gazette, by Dorota Kozinska; April 25th (review of exhibition at Galerie Yves LeRoux)
            Voir, by Stephane Aquin; April 30th (review of exhibition at Galerie Yves LeRoux)
            The New York Times, “A Gallery Tour Through Chelsea, The New Center Of Gravity”; by Holland Cotter, May 15th                
            Canadian Art, “Fast Forward”; Spring Issue           
            Canadian Art, “Fast Forward”; Winter Issue           
            The Ottawa Citizen, “Controversial exhibit comes to SAW Gallery”; by Alison MacGregor, March 1st           
            Capital X-tra!, “Portrait of the Artist as a Suicidal Exhibitionist”; by Andrew Griffin, February Issue           
            JF Toronto News, “Private Language: A Solo Exhibition by Alan Belcher”; by Koto Sato, Winter Issue

1997    The Village Voice, by Kim Levin; January 21st (review of exhibition at Jack Shainman Gallery)           
            The New Yorker, January 27th (review of exhibition at Jack Shainman Gallery)           
            Canadian Art, by Jonathan Goodman; Summer Issue (review of exhibition at Jack Shainman Gallery)           
            Globe and Mail, by Betty Ann Jordan; August 16th (review of exhibitions at Cold City Gallery and Art Metropole)           
            Lola, by Roger Carter; Issue #1 (review of exhibition at Cold City Gallery)           
            Lola, by John Massier, Issue #1 (review of exhibition at Cold City Gallery)
            “Free Parking; The Institute For Optimistic Living”, published by Free Parking Gallery, Toronto
            Artforum, “Year-End Round-up”; by Dan Cameron, December Issue           
            The Village Voice centrefold, January 16th, 23rd, & 30th           
            Simon Says, January Issue           
            NOW Magazine, “Alan Belcher’s billboard busts out”; by Deirdre Hanna, July 24th, pg. 68           
            X-tra!, “Would you kill this man?”; cover story by Gerald Hannon, July 17th

1996    “Labor of Love”, catalog published by The New Museum, New York City; featuring essay by Marcia Tucker   
            The New York Times, Sunday, December 29th, pg. 41           
            Flower, “Sunday In Liberia”; by Alan Belcher, May Issue           
            X-tra!, “Art X-tra!”; May 23rd

1995    New York Times, by Holland Cotter; January 20th (review of exhibition at Jack Shainman Gallery)           
            The New Yorker, January 23rd (review of exhibition at Jack Shainman Gallery)           
            Artforum, by Dan Cameron; May Issue (review of exhibition at Jack Shainman Gallery)           
            Art In America, by David Ebony; June Issue (review of exhibition at Jack Shainman Gallery)
            “Alan Belcher / Complex ‘95 (Winnipeg)”, published by Winnipeg Art Gallery, Winnipeg; featuring essay by Shirley Madill
            “Inside Out: Psychological Self-Portraiture”, exhibition catalog published by The Aldrich Museum of Contemporary Art,
                   Ridgefield, Connecticut; featuring essay by Douglas F. Maxwell
            The Village Voice centrefold, January 19th           
            Purple Prose, “Alan Belcher with Elein Fleiss”; Winter Issue #8           
            Winnipeg Free Press front page, January 18th

1994    Flash Art / Italian Edition, by Horatio Goni; December/January Issue (review of exhibition at Studio Guenzani)           
            Tema Celeste / Italian Edition, by Ariella Giulivi; Winter Issue (review of exhibition at Studio Guenzani)           
            Flash Art / Italian Edition, by Emanuela de Cecco; June Issue (review of exhibition at Spazio Via Farini)           
            Domus, by Angela Vettese; June Issue (review of exhibition at Spazio Via Farini)
            “Complex”, published by White Columns, New York City; featuring essay by Bill Arning    
            Tema Celeste Italian Edition, “Surrealismo”; by Alan Belcher, January, pg. 45           
            L’Arca, January           
            Il Giornale Dell’Arte, January Issue #118, pg.52           
            Arte Mondadori, January Issue, pg. 26

1993    L’Expresso, by Renato Barilli; October 24th (review of exhibition at Studio Guenzani)           
            Forum International, by Manfred Hermes; March Issue (review of exhibition at Galerie Buchholz und Buchholz)
            “Violent Persuasions: The Politics And Imagery Of Terrorism”, book published by Bay Press, Seattle;
                   edited by David J. Brown and Robert Merrill           
            “Photoplay (Works From The Chase Manhattan Collection)”, catalog published by The Chase Manhattan Corporation,
                   New York City; featuring essay by Lisa Phillips           
            “Temporal Borders: Image and Site”, catalog published by Leonard & Bina Ellen Art Gallery at Concordia University, Montreal;                    featuring essay by Karen Antaki
            "Homogenius Three" self-published by a Toronto artist collective


1992    Artforum, by Donald Kuspit; March Issue (review of exhibition at Josh Baer Gallery)           
            Arts Magazine, by Gretchen Faust; February Issue (review of exhibition at Josh Baer Gallery)           
            Globe and Mail, by Kate Taylor; November 20th (review of exhibition at Genereux Grunwald Gallery)
            “Paradise Europe”, catalog published by BizArt, Copenhagen; essays by Ronald Jones & Lars Morell
                   (including artists’ project pages)
             Stern, “Kunst Fur Knappe Kassen”; November 19th, pg. 234           
             Flash Art, “Alan Belcher: Face The World”; interview with Olivier Zahm, October Issue           
             Artscribe, “A Pound of Fish”; review of multiple edition by Jutta Koether, February/March Issue           
             Documents, October, project page #37

1991    Artforum, by Jan Avgikos; February Issue (review of exhibition at Josh Baer Gallery)           
            Art In America, by Ken Johnson; February Issue (review of exhibition at Josh Baer Gallery)           
            Arts Magazine, by Robert Mahoney; February Issue (review of exhibition at Josh Baer Gallery)           
            Dagens Nyheter, by Karin Anden-Papadopoulos; February 7th (review of exhibition at Nordanstad-Skarstedt Galerie)               
            Daily Yomiuri, by Arturo Silva; July 11th (review of exhibition at Spiral Garden, Wacoal Art Center)           
            The New Yorker, December 23rd (review of exhibition at Josh Baer Gallery)
            “Complex ‘91”, exhibition catalog published by Spiral Garden, Wacoal Art Center, Tokyo; featuring essays by Gregorio Magnani
                   & Yuko Hasegawa           
            “Anni Novanta”, exhibition catalog published by Arnoldo Mondadori /Arte; featuring essays by Renato Barilli & others           
            “Presenting Rearwards”, catalog published by Rosamund Felson Gallery, Los Angeles; featuring essay by Ralph Rugoff
            "Photos ??", exhibition catalog published by Tresor d'Art, Gstaad
            Brutus Magazine, July 15th, Issue #253, Pg. 68           
            The Journal of Art, “Letter from Chicago”; by Katherine Hixson, February Issue           
            Nikkei Art, Volume 1           
            Hanatsubaki Magazine, February Issue #488           
            i-D Magazine Japanese Edition, premiere issue
            Spiral Paper, July / August Issue #32           
            Studio Voice, August Issue, pg. 69
            Art & Auction, “Shifting Tastes”; by Dan Cameron, September Issue           
            Gazette, “Saturday In Liberia”; by Alan Belcher, November 16 /17th, pg. 2           
            Flash Art, “People News”; November / December Issue, pg. 151

1990    Canadian Art, by Jane Perdue; March/April Issue (review of exhibition at Galerie Daniel Buchholz)           
            Chicago Tribune, by David McCracken; June 22nd (review of exhibition at Robbin Lockett Gallery)           
            Contemporanea, by Timothy Parges; October Issue (review of exhibition at Robbin Lockett Gallery)           
            New Art Examiner, by Susan Snodgrass; November Issue (review of exhibition at Robbin Lockett Gallery)           
            Arts Magazine, by Katheryn Hixson; November Issue (review of exhibition at Robbin Lockett Gallery)           
            The New Yorker, November 19th (review of exhibition at Josh Baer Gallery)
            "The New Urban Landscape", exhibition catalog published by Olympia & York Co. and Rizzoli; edited by Richard Martin
            “Assembled”, exhibition catalog published by Wright State University, Dayton, Ohio; essay by Barry Rosenberg           
            “Fotograpie Formato Opera dal ‘60 a Oggi”, catalog published by Galeria Matteo Remolino, Torino;
                   featuring essay by Mariuccia Casadio           
            “All Quiet On The Western Front?”, catalog published by Galerie Antoine Candau, Paris; featuring essays
                   by Joseph Masheck and Alan Jones           
            “Stendhal Syndrome: The Cure”, catalog published by Andrea Rosen Gallery, New York City           
            “No, Not That One. It’s Not A Chair”, exhibition catalog published by Galerie 1900/2000, Paris; featuring essays
                   by Dominique Gonzalez-Foerster & Olivier Zahm           
            “Towards The Lens”, published by Galerie 1900/2000, Paris
            Interview Magazine, “Ozone Schmozone”; interview by Paul Taylor, November Issue           
            Elle Magazine, “Rough Edges”; by Elizabeth Hayt-Atkins, June Issue           
            New York Times, “Group Show As Crystal Ball”; by Roberta Smith, July 6th           
            Cleveland Plain Dealer, “A Wedding of Forms: Inventive Photography In The Fore”; by Helen Cullinan, April 8th           
            Chicago Reader, “Get Well Soon” review; by Lynda Barckett, May 25th           
            Number, “Alan Belcher at Fed-Ex”; by Debora Gordon, June / July Issue #11           
            Center Quarterly, “Snapshooting The Unknown”; by Berta Sichel, Volume 11, #4           
            Spuren Magazine, “Experimental” project pages, October / December Issue

1989    Flash Art, by David Rimanelli; January/February Issue (review of exhibition at Josh Baer Gallery)           
            Tema Celeste, by Robert Mahoney, January/March Issue (review of exhibition at Josh Baer Gallery)           
            Arts Magazine, by Joshua Decter; January Issue (review of exhibition at Josh Baer Gallery)           
            Art In America, by John Zinsser; March Issue (review of exhibition at Josh Baer Gallery)           
            Artscribe, by C. Roger Denson; May Issue (review of exhibition at Josh Baer Gallery)           
            Now Magazine, by Jane Perdue; April 6-12th (review of exhibition at The Power Plant)
            Arts Magazine, by Daniela Salvioni; September Issue (review of exhibition at The Power Plant)           
            Globe and Mail, by John Bentley Mays; April 1st (review of exhibition at The Power Plant)
           “20th Bienal Internacional de Sao Paulo”, catalog published by the Fundacao Bienal de Sao Paulo, Sao Paulo           
           “Alan Belcher: Photos, Sculptures, Objects 1983-1988”, exhibition catalog published by The Power Plant, Toronto;
                   featuring essays by Rosetta Brooks and Tom Folland           
           “D & S Austellung”, exhibition catalog published by Hamburg Kunsterverein, Hamburg; featuring essays by F. Barth,

                   J. Schweinbraden, and T. Wulffen           
           “Hamburg Projekt 1989”, boxed series of artists’ brochure projects, published by Kulturbehorde, Hamburg           
           “Order of Facts”, catalog published by Galerie Achim Kubinski, Stuttgart; featuring essay by Isabelle Graw           
           “Abstraction In Contemporary Photography”, catalog published by Hamilton College & Virginia Commonwealth University;                    featuring essays by Andy Grunberg and Jerry Saltz                    
           “Nature Naturata (An Argument For Still-Life)”, catalog published by Josh Baer Gallery, New York; edited by Cornelia Lauf
           “Psychological Abstraction”, exhibition catalog published by DESTE Foundation for Contemporary Art, Athens;
                   featuring essay by Jeffrey Deitch           
           “Special Affects”, book published by Giancarlo Politi, Milano; featuring essays by Gregorio Magnani, Daniela Salvioni,
                   and Georgio Versoti           
           “Works Concepts Processes Situations Information”, exhibition catalog published by Galerie Hans Mayer, Düsseldorf;
                   featuring essays by Robert Nickas and Jack Bankowsky
           "International Camera", exhibition catalog published by Salama-Caro Gallery, London
           Los Angeles Times, “Dennis Adams, Alan Belcher, Jennifer Bolande” exhibition review; by Suvan Geer, June 23rd           
           Flash Art, “Psychological Abstraction”; by Jeffrey Deitch, December Issue           
           The Hamburger Morgen Post, “Mause, Hamster und Kaugummifotos” by Rainer Unruh, May 26th
                   (review of exhibition at Galerie Dörrie-Priess)           
           FILE Megazine #28, “Publics Art”; by Denise Oleksijczuk          
           Art Issues, “Dennis Adams, Alan Belcher, Jennifer Bolande” exhibition review; by Jane Rubin, Issue #6           
           Cincinnati Enquirer, “Concept Art Not As Simple As Advertising”; by Owen Findsen, July 23rd           
           Lexington Herald Examiner, “2 Cincinnati Shows Offer Look At Power And Appeal Of Advertising”; by David Minton, July 23rd              Flash Art, “When Attitudes Become Form” exhibition review; by Gregorio Magnani, March/April Issue           
           Art In America, “Corporate Trophies: New Urban Landscape” exhibition review; by Allan Schwartzman, February Issue
           Contemporanea, “Sao Paulo’s Bienal: A First Look”; by Vera D’Horta, October Issue           
           Wolkenkratzer Art Journal, “Selbstbezuge”; January Issue           
           Art issues, “New York Letter”; by Daniela Salvioni, January Issue           
           Arts Magazine, “Suits, Suitcases & Other Look-Alikes”; by Jeanne Siegel, April Issue           
           7 Days, “A Biennial Of Our Own”, by Manuel Gonzales, May 3rd Issue           
           Artline / Power Plant Quarterly, January / March Issue           
           Artpost, “Publics Art”, exhibition review by Earl Miller, March/April Issue           
           “C” Magazine, “Geometry of the Possible”; cover article by Earl Miller, June/July Issue           
           Journal Of Contemporary Art, “Interview with Alan Belcher”; by Ken Lum, December Issue

1988    New York Times, by Roberta Smith; October 21st (review of exhibition at Josh Baer Gallery)           
            Flash Art, by Gregorio Magnani; Summer Issue (review of exhibition at Galerie Daniel Buchholz)
            “Alan Belcher: Rock and Roll Transformer”, catalog published by Josh Baer Gallery & J. Berg Press, New York City;
                   featuring essay by Daniela Salvioni           
           “Presi X Incantamento”, book published by Giancarlo Politi, Milano; featuring essays by Gregorio Magnani, Daniela Salvioni,
                   and Georgio Versoti           
           “Modern Dreams (The Rise and Fall and Rise of Pop)”, book published by The Clocktower Gallery, New York & M.I.T. Press,                    Cambridge, Massachusetts
           New York Times, “A Revival of Interest in a World Gone Awry”; by Andy Grunberg, December 4th           
           House And Garden, “Object Lessons”; by Paul Taylor, October Issue           
           El Paseante, “Entropy and the New Objects”; by Robert Nickas, Issue #10           
           Flash Art, “The Image In Singular” exhibition review; by Marcus Bruderlin, January Issue           
           Flash Art, “Second Generation Post-Photography”; by Gregorio Magnani, March Issue           
           Per Lui, “I Fotografi Incantati”; by Gregorio Magnani, June Issue

1987    Arts Magazine, by Joshua Decter; January Issue (review of exhibition at Josh Baer Gallery)           
            Artscribe, by John Miller; March Issue (review of exhibition at Josh Baer Gallery)           
           “C” Magazine, by Vikki Alexander; October Issue (review of exhibition at Cable Gallery)           
           Los Angeles Times, by Colin Gardener; December 4th (review of exhibition at Margo Leavin Gallery)
           “Carte Blanche –Les Courtiers du Desire”, exhibition catalog published by Georges Pompidou Art and Culture Foundation;
                   featuring intro by Walter Hopps and essay by Howard Halle           
           “Beyond Boundaries (New York’s New Art)”, book published by Alfred Van Der Marck Editions, New York City;
                   edited by Jerry Saltz, featuring essays by Roberta Smith and Peter Halley           
           “Material Fictions”, exhibition catalog published by University Art Gallery, State University at Binghampton, Binghampton,

                   New York; essay by Ronald Jones           
           “Photography On The Edge”, catalog published by Marquette University, Milwaukee; featuring essays by Chris Carter
                   & Noel Carroll           
           "Art Against AIDS" publication prepared by Sotheby's in 1987 for the series of sales exhibitions at seventy-two NY galleries
                   to benefit AMFAR
           “Thought Objects (J.A.A. #7)”, published by C.E.P.A., New York; edited by Barbara Ess & Glenn Branca
           Flash Art, “A Spectacle of Capability: Belcher, Taafe, Vaisman”; by Jack Bankowsky, April issue  
           FILE Megazine, Issue #28       
           Bomb Magazine, reproductions in Issues #6, 16, & 23           
           Caliber Magazine, “Waffen In Der Kunst: Umbemalt”; June Issue

1986    Flash Art, by Larry Rinder; February/March Issue (review of exhibition at Cable Gallery)           
            Arts Magazine, by David Lurie; January Issue (review of exhibition at Cable Gallery)           
            New York Times, by Joseph Masheck; November 14th (review of exhibition at Josh Baer Gallery)
            “Brokerage of Desire”, exhibition catalog published by Otis / Parsons, Los Angeles; featuring essay by Howard Halle
            Flash Art, “Conversations with Art Dealers: Nature Morte”; interview with Paul Taylor, March Issue           
            The Philadelphia Enquirer, “Infotainment: The Anti-Art of the Television Age”; exhibition review by Edward J. Sozanski,
                   January 9th           
            Arts Magazine, “Split Vision” exhibition review; by Joshua Decter, March Issue           
            Arts Magazine, “Geometry Desurfacing” by Jeanne Siegel, March Issue           
            Art Metropole, “Advertisements by Artists: Alan Belcher, Ken Lum, Jana Sterbak”; project pages appearing
                   in Canadian Art, “C” Magazine, FILE Megazine, Parachute, Vanguard, Parallelogramme, and Parkette
                   (Winter ‘86 through Spring ‘87)

1985    “Infotainment”, catalog published by J. Berg Press, New York; featuring essays by Thomas Lawson & David Robbins           
            “A Brave New World, A New Generation”, catalog published by Exhibition Hall at Charlottenberg, Copenhagen;
                   featuring essays by Thomas Solomon & Carlo McCormick           
            “Poetic Resemblance”, catalog published by Hallwalls, Buffalo; featuring essay by Barbara Broughel           
            “Split / Vision”, catalog published by Artists Space, New York City; featuring essay by Andy Grunberg           
            “Point One / Smart Art”, book published by Willis, Walker & Owens, New York; with essay by Joseph Masheck
            New York Native, “Nature Morte: The Artist As Dealer”; Issue #112, pg. 32           
            Flash Art, “Interviews with Art Collectors: Michael Schwartz”; by Michele Cone, November Issue           
            Art In America, “New Capital”, exhibition review by Walter Robinson, April Issue               
            Real Life Magazine, “Brie Popcorn: Interview with the Owners of Nature Morte”; by Rex Reason, Issue #11 / 12
            Details Magazine, January/February 1985, pg. 94

1984    “Natural Genre”, catalog published by Florida State University, Tallahassee
            Arts Magazine, “The Last Round-Up”; by Dan Cameron, June Issue           
            Art In America, “Slouching Towards Avenue D”; by Walter Robinson and Carlo McCormick, June Issue           
            New Observations, “Nature Morte”; collaborative project with Peter Nagy, Issue #20, Pg. 7           
            L’ Uomo Vogue, “Neo Galleristi”; December Issue, pg. 150

1983    Artnews, “Art In Alphabetland”; by David Hershkovitz, September Issue           
            Flash Art, “East Village”; by Nicolaus Mouffarege, March Issue

Alan Belcher

 

© ​ALAN BELCHER 2013